- Yan Bing: Walking in the mountains alone, I am singing along as I walk | Master Oriental Art, January 2016 (Issue 341), P.72-85
- Zeng Hong: I save myself a path to return to depicting “Tangible Objects”. | Master Oriental Art, September 2015 (Issue 333), P.110-121
- Hao Liang: I am obsessed with obscuring the sense of time. | Master Oriental Art, August 2015 (Issue 331), P.108-115
- Hu Qingyan: I would like to revert materials and objects to substances that are equal, rather than search for their meanings in the context of human beings or in any other contexts. | Master Oriental Art, July 2015 (Issue 329), P.100-109
- Wang Zi: I can only pretend to be a child. | Master Oriental Art, June 2015 (Issue 327), P.86-95
- Chen Mingqiang: In my art practice, I am simply seeking the “scale” suitable to me. | Master Oriental Art, May 2015 (Issue 325), P.48-57
- Zhang Xiaodi: As we encounter the world, those occasional moments leave us sparks and plenty of flair. | Master Oriental Art, April 2015 (Issue 323), P.80-93
- Wu Ziyuan: I create an eccentric world, hoping for an unexpected ending. | Master Oriental Art, March 2015 (Issue 321), P.44-53
- Liu Fujie: There cannot be any “nonsense” in my works. If my work can be reduced to one fine point, it has to be a complete point. | Master Oriental Art, December 2014 (Issue 315), P.78-87
- Tao Ye: This is human beings’ most outstanding form of art, and the only one. | Master Oriental Art, November 2014 (Issue 313), P.120-125
- Zheng Jing: Any pursuit can only be established based on the possibilities contained in the pursuit itself. | Master Oriental Art, October 2014 (Issue 311), P.112-117
- Kang Shixin: Can one really see the world clearly just because one has eyes? | Master Oriental Art, September 2014 (Issue 309), P.120-125
- Leng Guangmin: I am intrigued by those self-claimed “systems”, and sometimes terrified of them. | Master Oriental Art, August 2014 (Issue 307), P.120-126
- Zhai Liang: Artists are like solo travelers in the wild fields. | Master Oriental Art, July 2014 (Issue 305), P.120-126
- Li Huan: I Intentionally turn seemingly nice things into a flux of crisis, and this paradoxical way of expression is one kind of subjectivity. | Master Oriental Art, May 2014 (Issue 301), P.124-129
- Hu Qingtai: I did not reject all, but have accepted everything. | Master Oriental Art, April 2014 (Issue 299), P.134-139
- Zang Kunkun: What I leave in a painting frame, are self-sufficient and self-explanatory. | Master Oriental Art, March 2014 (Issue 297), P.84-89
- Liu Xinyi: This kind of life experience makes me keen on expressing the wildness of my imagination through works in political themes. | Master Oriental Art, February 2014 (Issue 295), P.84-89
- Zhang Xinjun: If creating artworks is breathing, then medium is the respiration system. | Master Oriental Art, January 2014 (Issue 293), P.82-87
- Navchaa: For me, there is a kind of universality and commonality in abstract things. Master Oriental Art, December 2013 (Issue 291), P.78-83
- Fan Xi: “Seeing” itself can never be objective. | Master Oriental Art, November 2013 (Issue 289), P.90-95
- Liao Fei: A thousand people would have a thousand utopias. | Master Oriental Art, October 2013 (Issue 287), P.90-95
- Man Tao: Quietly or intensely, I most sincerely pour out the stories in my head from the tip of my pen. | Jin Xiu Business Geography, 2011
- Fan Xin: I hold the camera in my own hands. And how free is that - in the end, doesn’t’ that depend on you? Jin Xiu Business Geography | 2011 | Jin Xiu Business Geography, 2011
- Ren Yilan: I am “a little beast”, a struggling little beast. | Jin Xiu Business Geography, 2011
- Tu Hongtao: The only thing invisible is desire. It is like a transparent string going through our bodies and connecting us like a meat skewer. | Jin Xiu Business Geography, 2011
- Wu Di: The limit of freedom is like shoes on your feet – only you would know about it. | Jin Xiu Business Geography, 2011
- Wang Zi: Life is a multi-dimensional space, while artwork is but a piece of paper. Life is far more complicated and fascinating than art. | Jin Xiu Business Geography, 2011